Together Again at the Holiday Inn Song
| Holiday Inn | |
|---|---|
 Original Broadway affiche | |
| Music | Irving Berlin |
| Lyrics | Irving Berlin |
| Book | Gordon Greenberg Republic of chad Hodge |
| Basis | Holiday Inn by Irving Berlin |
| Productions | 2014 Connecticut 2015 St. Louis 2016 Broadway |
Holiday Inn (besides known as Holiday Inn, The New Irving Berlin Musical ) is a musical based on the Paramount Pictures 1942 film of the same name. The libretto is by Gordon Greenberg and Republic of chad Hodge, with music and lyrics by Irving Berlin. The musical opened on Broadway in 2016 after premiering at the Goodspeed Opera House in 2014.
Production history [edit]
Chris Herzberger, executive at Live Theatricals at Universal Stage Productions, who adult the musical,[1] said that, "I ask, 'Is it a dandy story, one that volition motility me, brand me express joy or cry? And will information technology benefit from what is unique about theater, which is the live experience?'" Much of the film score was kept, with several songs omitted, including the minstrel number performed in greasepaint. The creators likewise requested songs from the Irving Berlin catalog.[2] Playbill reported that "so many people felt the need for this on Broadway that the show was fast-tracked. (It's been less than three years since Holiday Inn transformed from an idea in a briefing room to a Broadway bow.) Having tested the waters in a modest house (Goodspeed) and in a huge amphitheater (MUNY), the show finds its middle ground on the Main Stalk."[3] Bryce Pinkham said that "We're doing it because information technology's a new version, it's been adapted by our contemporaries, and we are providing audiences the chance to reflect on how far we've come—considering the fashion and manners in which the original was made and the differences we've chosen to make in ours."[3]
The musical premiered at the Goodspeed Opera House, East Haddam, Connecticut, running from September 19, 2014 to December 28, 2014. The evidence was directed past Gordon Greenberg with choreography by Denis Jones. The bandage featured Noah Racey and then Gavin Lee every bit Ted, Patti Murin as Linda, Susan Mosher as Louise, Tally Sessions as Jim, Danny Rutigliano as Danny and Haley Podschun every bit Lila.[4] [five] It was next produced at The Muny, in St. Louis, from July 6 through July 12, 2015. Directed past Greenberg, the cast featured Murin, Racey and Rutigliano returning equally Linda, Ted and Danny, with Nancy Opel every bit Louise, Colin Donnell as Jim and Holly Ann Butler as Lila.[six] Murin noted of the new venue: "[T]he Goodspeed is notoriously tiny, a stamp stamp. And the Muny is the biggest stage around."[7]
The musical opened on Broadway, produced by the Roundabout Theater Visitor, at Studio 54 on Oct 6, 2016, and airtight on Jan xv, 2017. The musical was directed past Greenberg, with choreography by Jones, scenic design by Anna Louizos, costume blueprint past Alejo Vietti, lighting blueprint past Jeff Croiter, hair and wig design past Charles G. LaPointe, audio design by Keith Caggiano, and music direction by Andy Einhorn. The vocal and trip the light fantastic arrangements were by Sam Davis and Bruce Pomahac, and the orchestrations past Larry Blank.[eight] [9]
Cast and characters [edit]
| Character | Goodspeed Opera House (2014) | The Muny (2015) | Broadway (2016) |
|---|---|---|---|
| Jim Hardy | Tally Sessions | Colin Donnell | Bryce Pinkham |
| Ted Hanover | Noah Racey | Corbin Bleu | |
| Lila Dixon | Haley Podschun | Holly Ann Butler | Megan Sikora |
| Danny Reed | Danny Rutigliano | Lee Wilkof | |
| Charlie Winslow | Noah Marlowe | Phoenix Lawson | Morgan Gao |
| Linda Bricklayer | Patti Murin | Lora Lee Gayer | |
| Louise Annoy | Susan Mosher | Nancy Opel | Megan Lawrence |
Synopsis [edit]
Act I [edit]
In Baronial 1946, song-and-dance trio Jim Hardy, Ted Hanover and Lila Dixon perform at a order in New York City ("Steppin' Out With My Baby/I'll Capture Her Heart"). Afterwards, Jim proposes to Lila. She accepts, and he tells her that he bought Mason Farm in Midville, Connecticut, intending for them to exit testify business to heighten a family unit ("The Piffling Things in Life"). Lila is reluctant to surrender performing. When Ted and his manager Danny announce that the trio has booked a six-calendar week tour, Jim rejects the offer, but Lila agrees to tour with Ted as a duo, promising to join Jim in Connecticut after the tour. Eager to settle down, Jim moves to Midville ("Blue Skies").
Jim finds the old farmhouse falling apart, and local boy Charlie Winslow, on behalf of the local banking concern, presents Jim with a bill for back taxes. Jim is visited past the spirited Linda Mason, an aspiring performer-turned-schoolteacher who had lived on the subcontract. Linda and Jim are attracted to each other and awkwardly express their shared loneliness and longing to move forrard with their lives ("Marching Along With Fourth dimension"). Linda introduces Jim to Louise Badger, an overly enthusiastic farmhand who has worked at Mason Farm since Linda was a child. Jim and Louise tend to the farm with trivial success. Jim misses Lila; meanwhile, Ted and Lila have a successful tour ("Heat Moving ridge"). Lila finally visits Jim ("It's A Lovely Day Today"), but she breaks off their engagement; she will continue performing with Ted.
By Thanksgiving, Ted and Lila are in Las Vegas ("Plenty to Be Thankful For"), while Jim, Louise, and Linda each eat Thanksgiving dinner alone; Linda laments her loneliness ("Nothing More than to Say"). On Christmas Eve, Jim and Louise decorate the farmhouse, noting the irony of decorating a house for only themselves. Jim'due south old performing friends visit, and he and Louise throw a party ("Shakin' The Dejection Away"). Linda arrives and is impressed by the festivities. Jim realizes how much he misses performing. He and Louise decide to turn the farm into an inn – only open on holidays – as a style to satisfy his desire to perform while still living a quiet life well-nigh of the year, and to bring in coin. Jim volition write songs for each holiday, to be performed by him, Linda, and his friends, and decides to accept the first performance on New year's day'southward Eve. He plays Linda a Christmas song he wrote as an example of the blazon of song he might perform at the Inn ("White Christmas").
A calendar week later, "Holiday Inn" is having its inaugural performance, and information technology proves popular ("Happy Holiday"). To ring in both the new year's day and Jim's new business, Linda performs publicly for the get-go time in many years ("Permit's Get-go the New year's day Right"). Ted drunkenly wanders into the inn, interrupts the vocal and begins dancing with her. Jim jealously punches Ted in the face, and Linda storms out.
Deed II [edit]
Ted wakes up, hung over; Lila has left their act to ally a millionaire in Texas; he cannot recall who he danced with before passing out, but he decides she must be his new dance partner. Jim, worried that Ted will steal Linda from him, pretends not to accept seen Ted's new partner. Ted sets out to trip the light fantastic with every adult female he sees, trying to track down the right one ("Y'all're Easy to Trip the light fantastic With"). Linda is humiliated by Jim and Ted's behavior; Jim apologizes and offers to start over ("Let'due south Have an Old-Fashioned Walk"). She agrees to requite him another chance, and in fourth dimension they brainstorm a human relationship.
By the Valentine'south Day show, Jim loves Linda, and he writes a vocal about her for the Inn ("Be Conscientious, It'southward My Heart"). While he sings it to her, Ted walks in, realizes Linda is the girl he seeks. Jim objects that he does non want Ted to steal Linda from him, only Ted and Linda reassure him and perform together for the first time, headlining the performance. Jim cues the band to change style and tempo several times, attempting to foreclose Ted and Linda from getting as well close to each other ("Cheek to Cheek"). Jim apologizes for sabotaging the number, merely he does and so again in the Easter show the following calendar month past entering at the terminate of the song and singing with Linda and Ted ("Easter Parade"). Ted asks Danny to put an end to Jim's meddling. Danny reveals to Ted that ii Hollywood producers are interested in putting Ted and Lila in a moving-picture show, and they will attend the side by side Vacation Inn performance. Louise hears this and calls Lila, request her to come up to the Inn.
As Linda prepares for the Independence 24-hour interval performance ("Vocal of Freedom"), Louise locks her in the befouled to prevent the producers from seeing her. With Linda missing, Ted performs a solo tap number with fireworks ("Permit'southward Say It With Firecrackers"). Lila enters the barn, revealing that the homo she left Ted for owed millions rather than owning them, and, not knowing who Linda is, she mentions the producers. Linda assumes Jim has sabotaged her again and locks Lila in the barn, returning to the Inn to join Ted for the end of his number. As they exit the stage, Linda confronts Jim, just he has no knowledge of the producers nor of Lila's presence, and Louise admits she orchestrated the sabotage. As Linda forgives Jim, Danny reveals that the producers want to make a movie about Vacation Inn, starring Ted and Linda with Jim as a songwriter and consultant, but Jim wants to stay at the Inn. Linda is hurt past Jim's stoicism and leaves with Ted to make the picture show ("Cypher More to Say" (reprise)).
Jim and Louise spend some other Thanksgiving alone; with no headliners, they cancel the Holiday Inn shows. Jim finally decides to find Linda in Hollywood. On the set of the movie, Linda is having a tough time with the fictionalization of the story, interrupting shots and proving difficult for the manager and producers to piece of work with. As she sings "White Christmas," Jim enters the studio and sings with her. As the production halts, Jim proposes to Linda. She accepts, quitting the film to exist with him. Danny objects, but Ted lets her go. It is early in production, and Linda is replaced by Lila. Later in Midville, Ted and Lila reunite, and Linda and Jim are married on the farm, vowing to continue performing at the Inn ("Finale").
Song list [edit]
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Critical response [edit]
Multifariousness said "the 1942 movie has gotten a consummate and splendid stage redo [...] turning this shaky logroller-upper into prime number holding. [...] Director Gordon Greenberg and co-author Chad Hodge have significantly rethought, reshaped and revitalized the script, giving the testify more eye, a mod sensibility and a joyful spirit. Engaging performances, dynamic dancing and a lively orchestra make information technology the feel-good show of the fall."[10] Deadline chosen information technology "an endorphin set on, inducing warm-bathroom pleasure similar no other testify since 42nd Street. The dancing is spectacular, the singing sublime, the visuals are ingenious".[11]
Charles Isherwood, in his The New York Times review of the Broadway product, wrote: "All of the performers are skilled singers and actors, filling in the generic contours of their characters with good professionalism", and the show "added such Berlin gems as "Blueish Skies," "Cheek to Cheek" and "Rut Wave". ... The interpolated songs are integrated into the plot smoothly enough, without lifting the show'southward mild temperature or bringing new definition to the characters. ... Every bit a familiar Broadway exercise in nostalgia – or a familiar Broadway exercise in holiday exploitation – information technology'due south polished and pleasant."[12]
Elyse Sommer, reviewing the Broadway production for CurtainUp, wrote that the bear witness is a "trip back to sheer old-fashioned expert-time entertainment – peculiarly given Denis Jones'due south very lively choreography and the excellent designers and performers ... particularly ... the starting time act'southward jump rope routines in "Shakin' the Blues Away." The 2nd human activity's bottom known just crackling "Fire Crackers/"Vocal of Freedom" is too [a] testify stopper."[13]
Awards and nominations [edit]
The musical received 1 2017 Tony Award nomination, for Best Choreography for Denis Jones.[xiv] The musical was nominated for the 2017 Drama Desk Award for Outstanding Choreography.
References [edit]
- ^ Gerard, Jeremy. "NBCUniversal Sets Growing Broadway Ventures Under Entertainment Chairman Robert Greenblatt", Deadline, October 7, 2014
- ^ Rizzo, Frank. "Volition Irving Berlin's Holiday Inn Be a Striking Musical for Goodspeed?", The Hartford Courant, September 28, 2014
- ^ a b Fierberg, Ruthie. "What to Expect From Broadway's Holiday Inn", Playbill, August 18, 2016
- ^ "Vacation Inn Cast and Creative Team", goodspeed.org, retrieved Jan 3, 2017
- ^ Rizzo, Frank. "Connecticut Theater Review: Movie Musical Vacation Inn", Variety, October 17, 2014
- ^ "Broadway Stars Arrive for Their Stay at The Muny's Holiday Inn This night", broadwayworld.com, July vi, 2015
- ^ Newmark, Judith. "Newlyweds star in Muny'southward Holiday Inn", St. Louis Postal service-Acceleration, July 5, 2015
- ^ Holiday Inn Archived 2016-09-01 at the Wayback Motorcar, roundabouttheatre.org, retrieved January 3, 2017
- ^ Cloudless, Olivia. " 'Vacation Inn' Closes on Broadway Jan. 15" Playbill, January 15, 2017
- ^ Rizzo, Frank. [1], Variety, October six, 2016
- ^ Gerard, Jeremy. [2], Deadline.com, Oct 6, 2016
- ^ Isherwood, Charles. "Review: Holiday Inn: It's Beginning to Expect a Lot Like a Recycled Moving-picture show", The New York Times, October 6, 2016
- ^ Sommer, Elyse. "A CurtainUp Review. Holiday Inn, the New Irving Berlin Musical, CurtainUp, October 1, 2016
- ^ Staff. "2017 Tony Honor Nominations: 'The Dandy Comet' and 'Hello, Dolly!' Lead the Pack" Playbill, May 2, 2017
Source: https://en.wikipedia.org/wiki/Holiday_Inn_%28musical%29
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